“Meditation of the Reborn Soul” is an intimate composition of two bodies (different in shape, color, and treatment) that meet in the space between the concrete and the abstract. One body is depicted in a classical drawing as a physical torso, while the other is only a subtle hint, hidden in the structure, which we may not even notice unless we look more closely.

Four elements, four possible worlds – animal, plant, water, and human. Do they represent layers of existence or fragments of identity? Do we find ourselves in a space where these planes merge, or do they just float side by side without touching?