The work is dominated by a calm but distinctive white line (horizon) that divides the picture plane into two almost symmetrical halves. However, this is not just a formal gesture. The line represents symbolic dust, a boundary between worlds, between what is visible and what remains hidden.

The image acts as a reflection, a mirroring, two halves that at first glance appear identical but bear subtle differences. In this mirroring, we can see (eyes) – a metaphor for an all-seeing gaze that penetrates both dimensions. The eye here is not just an organ of sight, but a symbol of consciousness, insight, the ability to see beyond the surface of things. The double reflection suggests that vision is not one-sided; everything we observe also observes us.