In the creation of my abstract paintings, I often start from the motif of a real landscape, which I “transform” for a long time. I play with color and shape composition, I work in layers, sometimes I let the contrast of basic colors take priority, but more often I create new color tones and halftones. I do all this until the moment the work loses its original realistic appearance and becomes more or less abstract.

Sometimes the result is purely expressive, other times expressive with a hint of lyricism.